Monday, 7 February 2011

Colonel Leveson’s Posse – Part 1 of 3

Or "Colonel Leveson's Regiment of Horse"
 Colonel Thomas Leveson
With the brief statement, “Colonel Thomas Leveson was the Governor of Dudley castle during the English Civil War.” this Royalist cavalry officer is often relegated to a brief footnote in history. However, a little research soon reveals a lot more about this fascinating character.

Although baptised an Anglican in Wolverhampton, 18th Oct 1615, Leveson was from a Roman Catholic family and was to remain an openly devout Catholic for the rest of his life, which in itself marks him out as being unusual.

During the period now referred to as the English Civil War (ECW) Leveson was to prove to be a key figure in the complex political and military events that occurred in the midlands and further a field.

The region of the west midlands was split roughly equally between the two opposing forces. Along side Tutbury castle (under the control of Sir Henry Hastings), the cathedral city of Lichfield (Colonel Bagot) and Dudley castle (Colonel Leveson) formed a strong line of Royalist resistance in an area that was often disputed and fought over. For example, the nearby industrial town of Birmingham (it became a city in 1889) was a major supplier of weapons (swords, pikes and armour etc.) to Parliament and therefore came under regular attacks from Royalist forces. One such raid on Birmingham was famously recorded in the portrait of Prince Rupert.

In 1642 the Staffordshire gentry, fearing a Catholic uprising, prompted a local armourer, a certain John Tanner, to confiscate Leveson’s weapons and equipment which had been sent to him for repair. Leveson thrashed the armourer about the head with a stick and promptly fled to France leaving his wife to her own fate. Being a professional soldier it is thought that Leveson fought on the continent and gained experience in the latest warfare techniques and tactics. On Leveson’s return, King Charles appointed him High Sheriff of Staffordshire in January 1644 and sent a letter to the same Staffordshire gentry instructing them to now regard Leveson as their protector, which I imagine didn’t go down too well!
Col. Leveson's Regiment of Horse
If you were curious were this particular blog post title comes from; when King Charles appointed Leveson High Sheriff this gave him the ancient power, during an emergency, to call up able bodied men to assist him. The well known term comes from the Latin phrase “Posse Comitatus” basically meaning "armed group/power of the county”. For me, it re-enforces the impression at that time the area really must have resembled the Wild West (midlands).

Leveson had failed to keep hold his home town of Wolverhampton when Parliament’s Lord Brooke marched into the county in February 1643. Fortunately for the Royalist colonel he had already managed to take control of Dudley Castle and in July 1643 Leveson was confirmed as the military governor of the well sited and impressive fortress. Leveson attacked and then set up satellite garrison outposts in nearby large houses at Chillington, Lapley and Patshull; all the north, north-west of Dudley.
Richard Astley
Christopher Heveningham
Late in December 1643 Leveson sent a force of 40 musketeers to reinforce the Jacobean manor house Aston Hall, Birmingham, home of the Royalist Holte family, just before it was attacked by Parliamentarian forces. A large oak banister in the south-east stairwell still bears the brutal evidence of the power of the Parliamentarian cannon shot. The area/hall later gave its name to the famous football club Aston Villa. To complete the Royalist connection Prince William, the future king of England, is a long time Villa fan. A quick 'interesting fact' for our American cousins: Washington Irving, author of "The Legend of Sleepy Hollow" and "Rip Van Winkle", both of which he wrote whilst living in Birmingham, based his novel "Bracebridge Hall" on Aston Hall.

Colonel General Sir Henry (Lord Loughborough) Hastings’s army had been established in early 1643 and he held parts of the county of Staffordshire for the King. Hastings came under the command of the Earl of Newcastle although it appears that Leveson preferred to align himself to Prince Rupert rather than Newcastle.

Whenever it suited him, Leveson argued the fact that the parish of Dudley formed a tiny island of Worcestershire within the county of Staffordshire and therefore he didn’t have to answer to Hastings (even more confusingly, priests attached to the castle itself did not answer to the bishop of Worcester but were traditionally linked to the diocese of Lichfield, yes back in Staffordshire!).

Leveson even used his friendship with Prince Rupert to influence the King in matters where he (frequently) clashed with the governor of Lichfield, Colonel Richard Bagot. One member of the Bagot family, the Protestant Royalist deputy governor of Lichfield, Hervey Bagot, even referred to the (fellow Royalist) Dudley garrison as comprising of “heathenish cavaliers” although the source of the comment was the Parliamentarian ‘Kingdoms Weekly Intelligencer’.

Royalist soldiers were sent out from the garrisoned towns and cities to collect taxes and often clashed with Parliament forces from Stafford and Tamworth. Leveson’s men sometimes even came into conflict with Bagot’s troops doing the same which didn’t improve their relationship. The castle garrison even collected tax from as far away as Hatherton which is just west of Cannock and around 15 miles north of Dudley itself. The Parliamentarian press soon referred to Hastings, Bagot and Leveson as the “Rob-Carriers” from their ‘tax collecting’ methods.

Sunday, 23 January 2011

Happy New Year!

Firstly I'll like to wish my fellow bloggers a belated happy new year. I've been quietly pottering away working on several projects. My painting schedule has taken several knock backs after quite a dramatic start to the year, I won't go into the gory details but fortunately it didn't involve my Dad this time.

I have managed to paint quite a few of ECW cavalry but they have still to be completed. However I have finished a few Dark Angels space marines, which I've detailed on my other (rarely used) blog 'Ubique SciFi'.

Regards,
Matt

Wednesday, 15 December 2010

IWMN - Royal Horse Artillery ‘E’ Battery 13-pounder field gun

This particular artillery piece fired the British Army’s first shell of the First World War on 22 August 1914 near Binche in Belgium during the retreat from Mons. On 15th September the gun received a direct hit which killed crew member Bombardier W. King and injured four others during the advance from the Marne to the Aisne. Note the metal plate repair used to cover the hole caused by the German shell. This gun remained in use throughout the war.
13-pounder field gun
Designed as a manoeuvrable and lightweight to support cavalry the 13 pounder had a range of nearly 5 miles (8 km) but it wasn’t really suited to trench warfare on the Western Front.

The Royal Horse Artillery still use 13 pounders to fire the salute on ceremonial and royal occasions.


IWMN - Leopard Mark IV security vehicle.

This futuristic looking vehicle is actually now quite old. This particular example was used by a police patrol unit in Salisbury, South Rhodesia (now called Harare in Zimbabwe) during the Civil War leading up to independence in 1980.

The vehicle was designed to protect the inhabitants from landmines and small arms fire. Note the ‘V’ shaped hull designed to deflect explosions from mines (a feature only recently adopted in vehicles used by the British army in Afghanistan). The wheels would also have been blown off rather than absorb the blast.
Leopard Mark IV
Spec:
Volkswagen 4 cylinder 1584cc petrol engine and suspension.
Weighs 1980 kg (2.2 tons) and could carry 5 passengers and a driver.

Imperial War Museum North, Manchester


Design by Daniel Libeskind and opened in 2002 this impressive looking museum is based on three elements, earth, air and water and mainly deals with Britain’s involvement in armed conflicts over the previous one hundred years. The seemingly random modern design is deliberately calculated to challenge your perceptions and although not immediately noticeable there are a number of subtle design features. It just is not the height of the viewing platform on the Air Shard that might make you feel uneasy. All the lines are slightly off the true vertical which, without being too obvious, leaves you feeling slightly disoriented. A similar theme continues inside the main exhibition hall where the floor reflects the curvature of the earth and slopes down at a considerable angle from the entrance to the cold war exhibits.
Imperial War Museum North
This was our second visit to the IWM North in Manchester and, quite rightly, I realise that few museums would dare to display rooms full of dusty cabinets crammed full of items (the Pitt Rivers Museum in Oxford being a fantastic exception). I clearly remember as a child getting ‘culture fatigue’ as my eyes would glaze over staring at Roman collections of fibulas and Samian pottery. However the IWM North seems to have gone too far in the opposite direction and tried to create ‘an experience’. You are initially greeted by a suspended Harrier Jump Jet but then by an awful lot of space in the main exhibition hall. For instance the museum catalogue lists the following seven items as the Large Objects on display in the main exhibition hall:

Harrier Jump Jet
Artillery Piece
Fire-fighting Trailer
Trabant Estate Car
Leopard Patrol Vehicle
T34 Russian Tank
Model Barrage Balloon.

Considering the floor space available these items don’t take up much room. The rotating displays seem more than a gimmick considering the amount of blank wall space there is.

I realise that I must sound like a proper grumpy old scrote but hopefully this somewhat negative review won’t put off anyone from visiting. A special exhibition about naval warfare seemed curiously lacking in any visitors although it wasn’t immediately obvious where the display hall was located but was definitely worth visiting. There were a few interactive displays to keep the kids happy but also plenty of information to study if you wanted to take your time.

Being a national museum entrance is free and there is also an excellent restaurant located in the Water Shard, the pork belly draft in particular was delicious.
T34-85
T34-85
The lighting in the museum is quite subdued hence the usual poor photos (that's my excuse and I'm sticking to it!). There are a few more equally bad images that I'll post soon. 

Friday, 26 November 2010

Painting horses WIP

As life thankfully returns to normal I now hope to post on a slightly more regular basis. For a long while I have been putting off completing any cavalry figures because of one simple reason - I really didn’t fancy painting any horses. In fact, the idea was so daunting that these are the first horses I’ve ever attempted to paint. It’s funny how you can feel intimidated by a bunch of toy soldiers sitting there, just waiting on your desk with their cold distant stare.

These WIP models has all been prepared using Citadel paints. The caption refers to the main colour used. The leather work is a mix of either Calthan Brown, Scorched Brown or Snakebite Leather.

Bestial Brown

Astronomican Grey

Astronomican Grey
These plastic horse bodies, from Warlord Games, are supplied in two halves which allow you to create numerous variants from within the pack. One small problem is there is often a pronounced joint line/gap, especially noticeable along the neck joint. If you really want, you could use filler but I use either Revell or Humbrol precision poly cement/glue. The brand isn’t really significant (it just depends on what’s available in my local model shop) but the applicator is. I simply run the tip of the metal tube along the visible joint line and let the glue flow between the joints, this melts the plastic and creates a smoother appearance. The same method can be used to hide the joint lines on tank gun barrels although it would be better to use a brush in that instance.

When it comes to horse colours I normally use Google Images as reference as I found that trying to paint from memory doesn’t work for me; copying straight from real life is far easier. Even when the horses are the same colour a lot of variation can be added by painting a different style of blaze/sock etc.

Calthan Brown

Adeptus Battlegrey

Scorched Brown & Dheneb Stone
Here is a link to a very informative GW article about painting horses.

As usual I used my basic technique, namely block painting the main areas, then adding an appropriate wash to create the shadow detail and then finally a commentary highlight. Slapping on the initial paint with a big brush onto a large model can be a relief after during more detailed uniform work.

I had imagined that the attractive looking dapple grey horses would be difficult to paint although this too is relatively easy. Again, using my same standard block, wash and highlight technique I finally cut the tip off an old brush and dabbed (almost dry-brushed) the highlight colour onto the flanks, belly and neck of the model to create the subtle dappled effect.

Attention to simple details such as painting hooves a paler colour if the sock is white and painting on horseshoes is, I believe, well worth the extra effort.

Hopefully this post will encourage anyone to paint a few model horses. They won’t bite - unlike some of the nasty, big, real versions.

Tuesday, 9 November 2010

Time and circumstance

Regular readers may have noticed the distinct lack of posts for October. Some may even echo the words of singing underwear magnet Tom Jones and say “That’s not unusual”, but, in fact, the month of October and the start of November were a complete write off regarding painting and modelling. My excuse, and it is rather a good one, is that after a relatively minor and routine operation my Dad experienced complications; he endured further major operations and week long stay in Intensive Care, spent longer in a Surgical High Dependency Unit and finally onto a normal ward. He’s currently enjoying being waited on hand and foot at home. One senior consultant even described him as a “tough old bird” which, although not a medical term, does now seem remarkably appropriate. It got to a point when watching the TV drama show ‘Casualty’ I recognised, and even understood, several of the medical acronyms being used (It's surprising how quickly you can annoy your family by repeatedly saying, “Yes, I concur with that doctor's diagnosis”).

What's this got to do with with blog? Well, not much really but oddly enough, whenever I could grab a few minutes (literally) to paint I have found it quite therapeutic. Without wishing to sound too flippant, painting has actually enabled me to ‘switch off’ from worrying about more serious issues, if even for only a short while. Perhaps I should write 'Zen and the art of paint brush maintenance`?

Although I doubt if little toy soldiers will ever be available on prescription from the NHS (which is a great pity) I honestly think it has helped keep me relatively sane over the past weeks.

Normal service will, hopefully, resume shortly. This includes the completion of an interesting project I was working on for someone before being rudely interrupted by ‘time and circumstance’ and which I hope to detail sometime in the future on this blog site.